Category «Review»

Designing the Difference – Pitman and Dwarf Quest compared

There is a new game in the AppStore called Dwarf Quest and I couldn't help to see huge similarities to our rogue-like Pitman - at a first cursory glance according to the images:
A fierce looking, bearded red-head staring directly into the eye of the observer - the icon obviously looked like the one of Pitman! And the game is 3D, too! Ha!

Dwarf Quest and Pitman Logo

But a dwarf and a dungeon doesn't need to lead to the same game. Dylan Nagel, the game designer of Dwarf Quest's developer Wild Card kindly gave me a promocode to try their game. And I did! Totally fascinated about what could have been made with the same components, but different attitudes in game design.

Same-same but different

Both games are obviously about a single bad-tempered dwarf hacking his way through a dungeon (crawler). Dwarf Quest and Pitman both use Unity 3D as game engine, and both were hugely inspired by the board game HeroQuest for the look&feel of the gameplay.
The story our dwarves take part in are placed in typical uninspired dwarf settings, containing dungeons, catacombs and ancient abandoned places. And in spite of a far too typical plot about a heroic mission you have the urge to go deeper and deeper into the dungeons.

Starting from the same fantastic board game - HeroQuest from 1989 - it is quite interesting how some design decisions differ between each game and how they went into totally different directions.

Pitman Start

Differences

Level Design:

Upon starting the game, both game screens look the same: A character standing in a room, ready to face his destiny. In all possible ways to walk next a (huge) arrow awaits your click to move on.
In Pitman the next "room" falls down onto the space where the selected arrow was. These rooms ("cards" in the game) are randomly chosen out of several predefined rooms, all in the same size of X*X tiles. So you build the dungeon while playing the game. The dwarf in Pitman is - in fact - wandering between more or less extruded boxes that are presented in different themes. Turning these in rooms, halls and other dungeon parts is something we leave to the imagination of the player.
In Dwarf Quest all levels you pass are designed by the author and presented like a diorama to the player.
The dungeon is linear, but you can often choose more than one room to enter the next. Plus all the rooms have different styles like hall, passage, corner or a single chamber.

-> Learning: We liked the minimalism of those automatically generated tiles that should give you a certain freedom AND strategy where to go next. Moreover, this decision was necessary for rogue-likes to always have the player experience something new - after the many occurring deaths.
Although I liked the easiness with which this level system was built, I have to admit that I envy the beauty of the more detailed and predefined level tiles Dwarf Quest did absolutely well. Our intention back then (over a year ago) was to let the player see their level creation in a whole - every time. But it would have been a lot more atmospheric to have separate rooms.

Dwarf Quest Start

Combat:

Pitman and Dwarf Quest are both turn-based, although in Dwarf Quest the movement outside of battles is not restricted by turns, respectively called real-time. In Pitman your movement per turn is restricted by the speed skill of your dwarf, which is two tiles at the beginning of the game and can be leveled up with growing experience.
In both games you tap/click the enemies to death. While in Pitman enemy and player each have one move - which is attack and/or movement in turns, the dwarf in Dwarf Quest has three actions.
You can move, slash and defend yourself - all in one turn. How many actions your opponent has depends on the type of creature and can be used tactically. Archers for example are weak and never walk around, but have two nasty energy-sucking shoots. Therefore it is wise to keep two of your action points for defense, which is built up automatically by clicking longer on your dwarf; the last action point then can be used for movement.

-> In both games the position of the player relative to their enemy is important. While in Pitman this decision is often narrowed down to finding a place where just one enemy at once can attack you, choosing a right position in Dwarf Quest can be important to save action points for attack and defense. Especially the success in a battle against more than three enemies depends on where exactly you place yourself to kill your opponent.

Dwarf Quest Combat

Weapons are always an interesting matter when it comes to role-playing games, dungeon crawlers, rogue-likes and hack'n'slay games. To give the player some kind of choice and also a lot to loot, such games often present a vast variety of weapons, often together with different fighting  styles. Both don't necessarily add much to the gameplay itself, but they give players the opportunity to fight with magic, close combat or ranged combat, just how they favor it.

In Pitman you have ranged and close combat. Both can be used as magic (Deadly Touch and Magic Missile) or weapons (Blade, Blunt and Bow). All these elements can be used by the player, but are only effective when leveled up. Additionally you can increase your attack value by improving the skills Dodge, Block and Dexterity.
Compared to Pitman the designer of Dwarf Quest decided to not struggle with different systems and simplified the weapon usage to one axe and (later in the game) a second axe that strengthens your attack. The game uses a card system instead, that strengthens you attack or armour in battles. But the added points vanish after the battle.

-> Looting is the best thing about role-playing games! And swag is THE reward after a hard fight and needed to have the player stay on the ball. That's why we have all these different kind of weapons in Pitman (and it could have been much more, still). But one problem also comes with a lot of weapons, at least if they play different: balancing. You should ask yourself if different weapons, tons of stats, a variety of fighting styles and level-up possibilities are worth the hard balancing work. Or if they are really necessary for the enjoyment of the player. Or if their couldn't be find another system, like the temporary card system, Dwarf Quest uses.

Dwarf Quest Battle Cards

Therefore, Pitman can be extremely confusing. Finding a 40+/-8 (strength/dexterity) might sound great, but if you are wearing a shield and armour you might never strike your enemy, which is due to a bad balance AND terrible stats communication.
In contrast to our game, the decision to not level up and add just one new weapon and new armour later in the game might often better for the developer and the player!

-> The game itself should be the challenge, not the thousand possible adjustments you can do after a level-up - or more stupid: Doing a huge character stats adjustment BEFORE the game even starts. I still don't understand why some games bother their players with these kinds of decisions before they even know what the game is about.

Pitman Stats

Fairness

While playing Pitman the player often has the feeling to be treated unfair by the game. In the earlier versions you could even die on the second card, killed by an overpowered Monster Mole. But more often you just clicked and clicked and clicked on your enemy, but nothing happens except the message "missed" or "not hurt". (This was improved in later versions.)
In Dwarf Quest I had this feeling of being cheated or that the gameplay is badly balanced just one time - when encountering the Rat King. This is the only enemy in the game that is recharging. You have to use one of the battle cards that add extra damage to kill it at once. Which I hadn't in my inventory, what means I needed to restart the whole game.

-> Well, achieving nothing by clicking on an enemy is no fun at all. And not being able to progress because one item is missing, either. You should fix dead ends like this - just like everything that is no fun and frustrating the player.

Dwarf Querst Battle in The Dark

Status Quo

Next to the looting, RPGs are all about evolving, getting better, stronger and unbeatable.
Pitman is totally different. We added hunger and corrosive weapons. Whatever strength, intelligence, dexterity or weapon power you achieve - those two elements make the game always quite uncertain and more dangerous in the higher levels. What we realized too late: These elements make an interesting survival game out of our rogue-like. But bad communication from us and the lack of the players' desire to just try every possible item to get further made these elements not very nice for many Pitman players.
Dwarf Quest in comparison to that is totally solid. There is no evolving, no new weapons you can choose later or things getting broken. Stronger enemies in the later levels are not just the ones from the first level, but harder (unlike in Pitman, where enemy types get reused constantly). There is no surprise in the gameplay that attacks you randomly.

-> Hunger is a critical game element, moreover when people don't realize they have been killed because of not eating enough. I still liked experimenting with those unstable and random elements, because when you try to secure yourself with the right stuff in your inventory, those are the elements that can truly spice up your game! But the "moving" elements should have been more visible and emphasized to the player, and next time we add them to a game again we will consider this.

Both dwarfs

Conclusion

Just the comparison of the elements of these TWO games shows what little design decisions can make the big difference. The games are, in fact, not at all the same, although they look very much like the same old wine in new hoses.
I realized while playing Dwarf Quest what we could have made better with Pitman and that it is important to know exactly what you want to achieve with your game. It is sometimes better to emphasize on one or two elements, instead of putting them all in. Dwarf Quest shows what a clean, well designed and polished game could look like.
But I also miss the random elements in it, although that is exactly what failed Pitman somehow - more or less, depending on your will to survive.

So, you can decide which way of the dwarf you will enjoy more. The random, biting adventure or the clean killing. My advice? Give them both a try and troll the dungeons!

Get Dwarf Quest here
Get Pitman here

 

Ludum Dare #23 games I really enjoyed

The 48h game jam Ludum Dare celebrates its 10th anniversary! And the party is huge - about 1400 games where made within 48 hours (competition) or three days (jam). I try to give you a start with the games I really enjoyed. They are presented in no specific order and if you think I forgot some of the hidden pearls - tell me in the comments!

Gravity - by Rémi (@8bitChevreuil)
What looks like an typical top-down-shooter is not only presented in  a very atmospheric and beautiful way, but also equipped with physics, which makes it very special. One of my favourites so far. Play Gravity here.

Rambros - by Black Ships Fill the Sky (@Free_Lives) // Jam
Rambo is not alone this time! He got his bros with him. And they are all angry and equipped with the finest weaponry needed in this damn jungle. And broxel destruction! What more to say!? It's fun and playable for one or two players (XBox controllers). Kill them all!

rambros

 Memento XII - by deepnight (@deepnightfr)
Simple and beautifully presented adventure. Riddle your ass off.

Tiny Stomp - by DoktorAce
Just for fun. Stomp here.

Nina Nueve - by Jonathan Whiting (@whitingjp)
Compact little Zeldaesque puzzle game. Sweet graphics, nice sounds. Awwwwwwwwwww.

Purgatorio - by moonkid
For the sake of the kiwis! Wierd little adventure. Haha.

7. Planet 161 - by saint11 (@saint11)
Beautifully crafted little puzzle platformer. Bzzzzzzzzz.

Planet Life - by Sos (@Sosowski)
Typical SOS game. Fast. Smashing. Bloody. AND deeply philosophical! Well.

Bottlecolonies - by tcstyle (@RustyBotGames)
Reverse colour matching. I liked the style. Bottle up.

Inside My Radio - by TurboDindon // Jam
Super polished platformer, where you have to interact when the beat bumps right. Sounds good!

Tinysasters - by Volute (@StormAlligator)
The blocks go up and down so nicely. And it's got some tactical components in it - that get randomly destroyed by natural disasters. Super polished nice style! Build!

Review: Skyrim

Why I don't like “Skyrim”, but spent 65 hours in there.

Although it seems that everybody has enormous fun with this game, here is my polemic opinion about Skyrim.

Skyrim. Schmyrim.

After all those minigames, facebooktimekillers and iPhone apps I played the last months occasionally because of lack of time, I longed for a real game. We finished TUMBLOX and finally there was enough of spare time to stay all day in a huge and epic adventure world. Right time, right release - Skyrim came out. Plus I loved “Morrowind”! It's still one of my most admired and still inspiring games. So a great time is yet to come...

And indeed! Skyrim is soooo beautiful. Walking through the autumn woods along a river, riding a horse through ice and snow (and up to walls) or walking alone just meeting snow foxes can be so ruminant.

But I have to confess that I distrusted the design of Skyrim from the beginning. Dragons (what a cliché after Drakensang, Dragon Age and Divinity II - Ego Draconis!), the stupid and stinky Nord, winter, snow, cold and the second-boring race in whole Tamriel after the Imperials. But the sandbox style allured me so much! "You can do just everything!"

But after playing 65 hours I'm bored. What I am missing so much is STORY! When I think of Morrowind there where conflicts everywhere, little stories people had, surprises, funny experiments of character interaction, naked barbarians and moreover: irony. Not just two households hating each other. Or the stupid Nord versus the stupid Imperials.
Skyrim lacks wits, creativity and cool characters you will remember. In every town you have the same structure of people: the smith, the merchant, the magician, the jarl, the alchimist, etc. and some people telling you they want to see the world leaving this place or love their home country. And of course the guards with the arrow in their knee. The game is so well structured and sandboxed, they can't think out of the box creating things that are out of their perfect little system. No chaos. No surprises.

Tell me just ONE cool Character! And don't say Sheogorath as he is the add-on joke laughed out a long prequel ago.
Where are the funny little moments Morrowind used to give me so many times?
Like the magician floating miles over the ground testing his mega jump magic scroll.
The end boss Dagoth-Ur and his personal point of view about the main story.
Vivec, the half-god, having his own town, sitting and levitating in his temple.
The drunken, messed-up Blade guy that is briefing you in the main quest.
The imp that is selling stuff in one of the towns.
The last dwarf in Morrowind, fat, with legs like a spider and made immortal by the mysterious blight.
The Telvanni magicians - one age old, the other one hating men and having a male Khajit sex slave.
The silk striders you could travel with.
Even the setting was a character! The Telvanni towns. The floating city of Vivec. The Redorans living in huge shells. And the monsters weren't just wolves, trolls and whatever skeletons that every fantasy game has.
I loved the surprises Morrowind gave me with every step I took in this world.


Looking at Skyrim I see an impressively beautiful maiden presenting her long and shiny hair, but if you talking to her she is just blabbering stiff, boring and stupid shit. Why is the whole world such a boring cliche? Even the hugely advertised DRAGONS become dull runaways that go on my nerves because of their inflationary appearance.

Never again a sandbox game with "story"

It is a problem the whole world has: There is nothing special about it. Those thin stories in every town: "Hey, we have vampires" - You walk into a Dungeon, problem solved. You become Thane. Next town. "Hey, we have bad dreams". Dungeon. Cleared. Problem solved. Thane. Next town.
There is nothing a visit in a dungeon cannot solve. Everything happens in the dungeons. Accept the dragons of cause, they are spawned when it's time for them in the next place you appear. You fight them. "Woah, you killed the dragon". Next town. Next quest.

At this point the sand box system really emerges as something that is charging the stupidity. Okay, Skyrim is a huge open world, but what for, if nothing happens there. Here are some natives just for killing. Here are some dragons. Some towns. Some points of interest. But most points are unconnected. The people (like the story writers?) inhabiting their cities don't think beyond borders (they just know the next dungeon to send you through).

The quest marker system is another "improvement" making things worse and those little landing places seeming more like spots on an otherwise white map. While in Morrowind people had long dialogues explaining themselves and giving you explicit (well mostly) directions like in real life, Skyrim people "greet" you with "My bow is stolen!". After telling you that thieves from the near city did it, the dialogue is finished. No explaining who he is, where the bow is or whatever one could write about a character to make him more interesting, a quest marker is added and you have to go to your map and look up where the marker is placed. Dungeon. Cleared. Nice. Here is your money. See you. Never. Again.
It doesn't matter how much helmets you take back from dungeons, how much daughters you save, how many prisoners you help to escape. The world is full of these generic quests. Nobody will acknowledge your deeds.

Dungeon. Dungeon. Dungeon.

Everything is fighting and killing. No creative solving. Even the third path of character development - the thief - can't be used in all consequences. Most quests can be finished just with the death of your dungeon-boss-draugr-whatever-bad-guy-final-kill.

Most people didn't criticize this game for being unambitious and stupid. They love it. And it inspires many people out there. How many "Fus Roh Dah" and "I got an arrow in my knee" videos, comics and pictures are out there?
But I must admit: I don't understand the fascination for this game. Maybe I had too much adventures in a fantasy world. If this would be my first role playing game and I never would have played “Gothic”, “The Witcher”, “Morrowind” or “Planescape Torment” I would love it. Skyrim has an awesome way to introduce you in this world and its gameplay.
But I played much of these games and it might be hard to surprise me. I think this will be the last epic game that tries to tell a story and advertises with a huge open world. Because you can't have both. Not in these times.